The first Superheroines in comics

It is common to think the superhero genre is dominated by male protagonists, and it is. It has been that way since the beginning... although not as much as we think. A little googling and some listing can show us that there were a lot of golden age superheroines (or mystery women) and that they were as talented and independent as their male counterparts.

After reading a bit about Lady Luck, the theme picked my interest, and since the last month, I've been doing this list on my free time. It covers superheroines of the golden age of comic books (c. 1936 - 1953) and provides basic info on each character (publishers, first appearance, general premise), as well as some comments I make about their innovations, influences, originality, fashion sense, impact, and influence.

This is a really long post and I don't expect anybody to read the whole thing. However, it has many sections about different characters, so it's a "pick your favorite" sort of situation. The advantage is that having all of it in one post allows us to compare and see the relevance of each character.

Good girl art, superheroines, censorship, and feminism

By comparing superheroines with their male counterparts, we can get an idea of their equality. It's clear that publishers were just cashing on the "good girl art" (drawn pin-ups with a focus on their "headlighs" and other female parts —the term was coined later by David T. Alexander), which resulted from making female versions of popular male superheroes, without realizing the positive implications for equality and feminism. They were creating fictional women who were not only equal to regular men but epic superhumans, such as Tarzan, Buck Rogers, The Shadow, The Phantom or Superman.

A little context is necessary. The golden age of comic books coincided with the Hays Code, which moderated the amount of violence or sex (or even cleavage) movies could show, and was enforced from 1934 to the late 1950s. Since pulps and comics were largely uncensored back then, they became the biggest outlet for that kind of content. And the fastest way for publishers to serve it was drawing women in Tarzan or Flash Gordon mini-costumes beating thugs.

I think this image is making a commentary about its readers.

One could certainly argue that such representations objectified women —titillating male readers and indulging their escapism, and they certainly do all of that—, but they also made them look like their counterparts: admirable men in even fewer clothes. If Sheena, Mysta or Namora wear skimpy clothes, Tarzan, Flash Gordon or Namor wear even skimpier ones, and the six of them have skills beyond normal men. This is the rationale that made feminist Gloria Steinem ask DC Comics to bring back Wonder Woman's star-spangled bottom.

Know your Super Buddy UPDATE II

I added a couple of characters to the Know your Super Buddy post: Power Girl, Crimson Fox and Beefeater.  Expect Captain Atom, Powergirl, Metamorpho, Flash and the rest soon.

Power Girl: Kara’s super strength is not only physical but emotional. She’s confident, emotionally independent and very outspoken; however, her temper is short and might lose sight of what’s important in order to make a stand. Even though his views are always fair, she engages easily  and she can be quite opinionated, which put her at odds with the likes of Guy. She has little tolerance for shenanigans as well, especially when it comes to men objectifying her because of her notorious sex appeal  –she doesn’t flirt or dress for men, but she also refuses to hide her beauty. She’s normally cranky, but she can be quite generous and kind. When it comes to her work, PG has a great determination that makes her diligent, quick and effective.

Crimson Fox: We’re talking about two women, but in general, their behavior seems the same. They like to remain a mystery to their teammates, so they are barely socialize and come across as “a” cold peer. They inform themselves about any situation and become all business right away; pretty much like Batman, only without barking orders. This is how they manage to hide the fact that they are two people sharing the same superhero identity. Like Batman, they seem too self-aware and even melancholic, but their determination and dedication to an agenda against injustice makes them overachieving perfectionist forces.

Beefeater: Is a conceited, arrogant, phony, obnoxious, rude, inconsiderate, stubborn, pretentious and absolutely sarcastic jerk. He can’t help but show a neurotic behavior whenever he interacts; normally characterized by his excessive complaining and attention to unimportant details. His constant engaging prevents him from inspiring any real authority despite his confidence; people rather please him in hopes to get him to shot up or go away. I know, I’m basically describing Basil, but it’s the same, anyway.